Autechre: Draft 7.30

This is another of those groups that were on the radar of this listener as far back as the early 2000s, but, as is so often the case, giving this music a try was put off for too long.  Autechre recordings are not necessarily easily available and can fetch a pretty penny, to boot, but the recent acquisition of this 2003 release has definitely inspired greater interest in the duo of Sean Booth and Rob Brown.  The pair, from Manchester, England, began working together 40 years ago next year, though their first release under this moniker was in 1991.

Autechre joined the roster of the vital electronica label Warp, with American distribution through the essential Chicago outfit Wax Trax!, and their efforts evolved from more melodic techno offerings early on to a decidedly more abstract and experimental bent.  Draft 7.30, recorded from summer 2001 to fall 2002, definitely is in that latter camp and, as per usual, Booth and Brown developed their parts separately and the title reflects the fact that the finished project was the seventh draft and 30th revision.

Composition of the ten pieces, bearing typically obtuse titles that generally defy comprehension, was done with both analog equipment and digital processes in a shift away from generative efforts through Max software employed on their prior record, Confield, which deeply divided devotees.  This also meant a return to more rhythm, as well, though there are some warmer synthesizer lines and tones to provide ambience as well as abrupt percussive elements.

Among the standout tracks for this listener are "61E.CR," "Surripere," "Theme of Sudden Roundabout," and "P.:NTIL." where the use of rhythm, atmospherics and melody, for this listener, are most effectively utilized, though the entirety of the album is compelling, fascinating and intriguing.  Draft 7.30 is an very notable illustration of experimental electronic music and, though it can be a little difficult to get Autechre recordings, the team of Booth and Brown are now on the regular search list and, hopefully, there'll be far more opportunities to hear and enjoy there fascinating output.