I finished recently a book on the music of the astounding Elliott Carter, whose work continues to amaze because of its complexity, richness, and wide range of expression. The book was often a tough slog when it came to intricate and rigorous technical explanations of the construction of pieces and the often intimidating terminologies employed in musicology. Still, what did come through for a total amateur was Carter's innovations in harmony, time and other structural elements, and most especially in his use of rhythm.
The book definitely made listening to Carter's work more worthwhile in trying to pick out where the composer employed his creativity and innovation. An example of this is with 16 Compositions (2002-2009), another excellent issue in a series by Bridge Records, which produces great recordings by modern composers. The 2010 double-disc surveys a wide range of symphonic, ensemble, solo and choral works in a period in which the composer was in his mid-90s to early 100s.
That's one of the many remarkable aspects about Carter in that he was very active making amazing music at a very advanced stage in life and doing so with all the exploratory creativity he displayed throughout his career. In fact, he finished his last piece just three months before he died in late 2012, a few weeks shy of his 104th birthday. So, this survey has a lot to enjoy, often in brief pieces, and featuring typically unusual instrumentation, like solo works for marimba and bassoon, along with more standard large and small group and solo types.
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