Japan: Nagauta

This is another incredible release on the Ocora label from Radio France and features four long pieces (nagauta), ranging from 12 to over 31 minutes, of pieces performed in the Kabuki theater, along with classical dance.  Intense vocals accompanied by the shamisen, a three-stringed lute, and flutes along with three types of drums, provide a fascinating sound palette, though anyone who isn't attuned to the instrumental tunings and singing style, much less the length of the songs, may struggle with this music.

The Kineya Ensemble includes a quartet of vocalists and shamisen players, a flautist, and five drummers while the four works date from 1774, 1834, 1856 and 1933, with the first three dating to before Westernization became a priority in Japan to preserve its independence and prevent what happened to China at the hand of Western colonizers.  The 1930s piece, composed as the country was heading into the military dictatorship that led to Japan's near-ruin in World War II, draws from classical tradition, but did not accompany dance or theatrical presentation.

For this listener, classical Japanese music is fascinating and mesmerizing and, among the many recordings heard from that country and tradition, this is among the most interesting.  Kudos to Ocora for its issuing of this release in 1997 as part of its phenomenal roster of world music albums.

Gagaku: The Imperial Court Music of Japan

This recording issued in the late Eighties by Lyrichord Discs was recorded by the Imperial Court Music Orchestra in Kyoto and represents the traditions of gagaku, or elegant/refined/correct, music accompanying dance dating back nearly 1,500 years ago with origins from China, India and Korea and which, then, is the oldest orchestral music existing on the planet.  Notably, this music was not played publicly until the mid-1950s and there are occasional new pieces composed for such events as a royal wedding, with about a hundred pieces and over fifty dances in the repertoire.

Instruments include the koto, a well-known Japanese zither, the taiko drum, which is also recognizable to many, other percussion pieces including bells, a bamboo flute called the hichiriki, and the sho, which is a group of seventeen bamboo pipes in a wind chest shaped like a cup.  While most of the eight pieces accompanied dances and the visual impact of both must be spectacular, the music is striking, being majestic, solemn, stately and otherworldly.  It has an ethereal beauty that is redolent of ancient history retaining its power in the modern world.